A colleague at work has taken up Chinese calligraphy, which brought this poem by William Meridith to mind.
Ideogram
I am trying to describe to you a river at first light.
The water is glassy, under a scud of mist.
It is taking the color of the new sky
but the mist has something else in mind than pink -
a force of discoloration, it would have everything white.
On the far bank are serried low hills, tree-clusters,
occasionally the lights of a car.
This river I want you to see is being remembered.
I tell you this not to make us self-conscious
or conscious of words, but hoping to heighten
the peculiar vividness of a thing imagined.
I put no water-bird or craft on the surface:
the poem is absolutely quiet at about 5 A.M.
Rose-grey water slips away to the left and right, silkily,
upstream and downstream, just before sunrise,
just before we are called away,
you who don't know me, I who don't know you.
Soon it will be full light. We will blink this river away
and my talking to you, a stranger, as if I knew you,
as if our partaking a strange river at the edge of light
had been no impertinence - this will yield to another subject.
A river talked away, may be the new subject, or,
Mist burned off by the sun, an ancient, common figure,
a nearly dead metaphor, for enlightenment, and
it occurs to me now that someone may have already
accomplished this for you, hundreds of years ago,
someone deft with a brush, in China.
Wednesday, December 12, 2007
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